![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixaspZASZdAbP-K4GU7kecWbOSbF7yyesdI89xBaCJRK_3mWcejuxe0ScTd_PyMrwhT6g4N-PAzBv25E68l8g38RRTavZFhKbY81gtRDTDBp_vL1Nwninmgib2LufzInusIfCVm-O6TDA/s400/tounta1.jpg)
“I Would Prefer Not To” - Maro Michalakakos
Ileana Tounta Contemporary Art Center
29.03.2012 – 26.05.2012
29.03.2012 – 26.05.2012
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTtpf9UirkOC8FYPIKMGZREshStkp95ThNpiCwgW8u5cAQz6akU3TKrjOnoM8_K-TrwYvMB8Dpot_T9JT7ro8xeukKcl5kNRHbegCMLHu7YLQ7pXV0hDxDpeyehvjddBvMKdnIJX3hEfQ/s1600/tounta2.jpg)
The exhibition title «I Would Prefer Not To» is inspired by the enigmatic character of Herman Melvill’s Bartleby (“Bartleby the Scrivener: A Story of Wall Street”, Herman Melville), who persistently uses the above phrase.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggQqBaNXL6wfH0jvAYQLKyWlpp6rh2HEy32YV-7aeseVTOtbCDtyCZj6wFPQti_1hAhCk-x8HQ4YGWaXrQbOLhF2OjWMNusyPHJcRQGroBaHQYUiMILcRQI3zFbVaUd78L3gCyQyoh2Jo/s400/tounta5.jpg)
Facing space as a philosophical entirety and not just as an environment where things just happen, the artist presents two installations; “Red Carpet” and “Happy Days”. For the first one, the pile of the velvet is being removed and for the second the process of abstraction; the sound and the red fluff falling down, become artwork. Both these installations have direct references to authority, power, as well as the forced intimacy between life and death.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWX-2JHulPx35cT23u7h30yqDclbms8zFihw5POR32DAH0gYt9LqElYx5jj9ge6ki1vlI1cB0O-fzEd5edreZIqR92gXBuLlMsDR8Q06Mop5Kpvp7NyZSIkeC0gWKfjCOF1bPWxfrtscY/s1600/tounta3.jpg)
The “Red Carpet”, a velvet with the prints of a predator is spread all over the gallery, developing a relationship of intensity with the space. The danger of subverting the roles within the relationship between the victim and the abuser, predator and prey is charming, frightening and stimulating
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKw1Pr0NARfUU14wYSnYzcmyDeX7LjmWNU8haK0jUmJUx_n9hH_Mwy9GIHsUFML31UOqpUvjxNZEgvNp03YpE5FXUkM0cERpiyQKTnhVJPUjD7d1173assM8Yp6gABDWoPZF4Pyj6VmDc/s400/tounta4.jpg)
The title of her second installation “Happy Days” (Oh Les Beaux Jours) has been chosen by Paul Verlaine’s homonym poem and Samuel Beckett’s work. The gallery columns; white, simple and with the desire to remain invisible while they support the building, are fully covered by fluff, adding to it and to dust a monumental dimension.
[ + info ]
No comments:
Post a Comment