'The Queue'
Nikos Kessanlis is one of the protagonists of the 'Mec-art' movement of the contemporary realism of the 60's, well known outside Greece as Nikos.
The originality of his approach consists in the re-structuring of the bi-dimensional image using industrial photo-mechanic procedures.
Nikos refuses the passive and static perception of his works. The Phantasmagorias of the identity and the Anamorphoses in three dimensions imply the active participation of the spectator.
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